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There were old friends and new friends and actual Friends and everyone was overjoyed to celebrate this perpetual ray of sunshine: Happy birthday, Jen!

Happy birthday to my favorite leprechaun, garden gnome, pizza slicer, baby sitter, co-pilot and posing partner. (Really, what can t @karliekloss do?)

Current temp: 96 degrees! Can t wait to sit in a cold theater and listen to some wildly offensive yet delightfully socially progressive commentary from this comedic genius

I hope everyone s weekend is as merry and gay as these platforms! @metmuseum

SOUND ON to hear my incredible (incredibly offensive) British accent and see how much @nicolerichie loves it!

One of the many reasons I love being in London is that TOAST can be considered an entire meal

She hates small talk @kendalljenner

Hello, Lovers! Last night, I joined Felicity Jones (hey that rhymes!) and Katie Grand to launch Part 2 of #movinglove, a special fashion film series from @thelovemagazine. They start rolling out at the end of the month exclusively on YouTube.com/thelovemagazine. (Be sure to check out Felicity s fierce Judy Garland impression.)

Why does love mean zero? Why do you have to wear white at Wimbledon? Go to YouTube.com/derekblasberg to see these tennis aficionados get to the bottom of the sport s biggest mysteries! @rebelwilson @maisie_williams @poppydelevingne @willpoulter @siennathing @ralphlauren

I went to see Michael Craig-Martin's show at @gagosian today and had two reactions: At first, I contemplated how the artist s sculptures probed the relationship between objects and images, perception and reality, harnessing our uniquely human capacity to conjure ideas through symbols and signs. My second thought was, Jeez that's rad! In the show notes, Craig-Martin said, "I have always thought everything important is right in front of you." ('Safety Pin 'blue,' 2019)

What s the opposite of a Bohemian Rhapsody?

I told David this was my version of a football jersey @davidbeckham @victoriabeckham

What s the best art show in Paris? That s easy. Black Models: From Géricault to Matisse, which is both a chronological survey of black figures in French painting from the revolution to the mid-twentieth century, and a radical modernization of how we view the models. Why? The museum literally changed the titles of the paintings to respectfully acknowledge the black subjects that feature them. So, (first pic) Marie-Guillemine Benoist s 1800 painting is now Portrait of Madeline, which was formerly Portrait of a Black Woman. (It had another title before that, but I ain t gonna say that word.) And (second pic) a painting from 1827 by Eugène Delacroix is listed as Portrait of a Woman with Blue Turban, updating its original title, which used more archaic vocabulary. Why is this such a big deal? As the art historian Anne Higonnet pointed out in the catalogue, what if Mona Lisa was titled Portrait of a white woman ? That struck me. The show s original concept came from Denise Durrell s 2013 doctorate thesis at Columbia University, which was inspired by paintings that had heavily researched white models but neglected black figures, most notably (third pic) Édouard Manet s Olympia (1863). This painting, which is part of the museum s permanent collection, is the centerpiece of this exhibit. However, next to it is the part I found most moving in the whole show: Manet s diary from the 1860 s, which finally reveals the black model s real name: Laure. None of these pictures are new and many of them I ve seen before but this show positioned them in a new light, and for that I am grateful. At a time when race relations seem on the verge of regression (both in France and the US), renaming these portraits left me with a feeling of dignity and gratitude. It s up till July 21st!

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